The power of hope through the eyes of children

Words and photographs
by Bobby Sager

Fall 2019

The smallest ray of light can ignite the human spirit’s ability to overcome.

In war-torn countries around the world, philanthropist and photographer Bobby Sager has discovered the transcendent power of hope through the eyes of children. Despite unthinkable violence and destruction, his portraits reveal joy, innocence, and strength.

AN AMERICAN IN AFGHANISTAN, A WHITE PERSON IN RWANDA, AND A JEW IN PALESTINE.

I’ve spent much of the last nineteen years living in traumatized communities around the world while doing the work of our family foundation. I met the children in this book during those travels.

During my family’s years on the road, our most transcendent moments came when least expected, from the joys and frustrations of sharing in ordinary people’s everyday lives. These photographs were born out of those everyday moments.

The first edition of Invisible Sun was published in 2008. Eleven years later, I have refined my ideas and added new images from places that were okay a decade ago and now most certainly are not. But regardless of when or where I took these photographs, their underlying theme remains the same: hope isn’ just nice, it’s a game-changer.

These kids face daily challenges that bend my spirit and break my heart. Meeting them has nourished and energized me. I hope it does the same for you.

Visit these kids when you need to remember the power of the human spirit to overcome. Visit these kids when you need to remember to be more thankful in your own life. Visit these kids and ask, “Am I doing all I can to help?”

Everyone has to connect their own dots. Maybe the experience of this book will in some small way help you to connect yours.

Excerpt
Kabul, Afghanistan, 2002.

Kigali, Rwanda, 2005 (left). Lo Manthang, Kingdom of Mustang, 2003 (right).
The same moment a world away. The details are different but the essential being is the same. So much alike yet we are so focused on our microscopic differences.

Khyber Pass, Federally Administered Tribal Areas, Afghanistan–Pakistan border, 2000.

Hope is a game-changer

The first edition of Invisible Sun was published in 2008. Eleven years later, I have refined my ideas and added new images from places that were okay a decade ago and now most certainly are not. But regardless of when or where I took these photographs, their underlying theme remains the same: hope isn’t just nice, it’s a game-changer.

I chose to use only images of children because it is through the strength and hope in their young eyes that the power of the invisible sun is so compelling. I photographed them from weeks after September 11, 2001, until December 2018. They live in alleyways, refugee camps, slums, and remote villages from Afghanistan, Syria, and Pakistan to Rwanda, Sri Lanka, Palestine, and the Tibetan Diaspora. They are orphans, child soldiers, refugees, and just plain kids dealing with war, conflict, natural disaster, abuse, displacement, or simply being born into an incredibly unlucky situation. I was face-to-face with them because I was there to help. That’s a big part of the connection that I hope you see in their eyes.

Weligama, Sri Lanka, 2001.
Kabul, Afghanistan, 2002.

Don’t feel bad for these kids. They don’t want our pity.

My motivation for introducing you to these children is not so you can say, “Oh, look at those poor kids. I want to give them a hug.” Hopefully, you will take strength from their strength, feel more thankful in your own life, and find ways to give people hope—not just by giving money, but by giving something of yourself.

Same three kids, totally different moment

I came across these kids while walking through a bombed-out neighborhood in Kabul. There was so much sadness, distance, and suspicion in their eyes. Then I made a fart sound by doing a raspberry with my mouth. The photograph on the top shows the boys’ reaction to a stranger. The photograph on the bottom just a few seconds later is their reaction to me.

Far from being an impediment to engaging with others, I use the fact that the camera is there as a way to start a conversation and make a connection with people. When I make a funny noise with my mouth and the kids react with a laugh or a smile, that’s not the end of the moment—it’s just the beginning. If there were only a chuckle, then the whole interaction would be reduced to nothing more than a party trick. But when my vulnerability and openness give way to a growing light in their eyes, the moment shifts to a more primal, tender, and most of all authentic place.

Real connection is not about making someone laugh; it is about making someone feel like you care. Not as an object to be photographed, but as a flesh-and-blood human being with dreams, fears, and incomprehensible challenges.

Excerpt
Kabul, Afghanistan, 2002.
Intro Iage
Kabul, Afghanistan, 2002. The kids in the preceding image live on this street.
Intro Iage
Kacha Gari Refugee Camp, NWFP, Pakistan, 2001. About a month after September 11.

WHAT DID YOU AND I GET PISSED OFF AT TODAY?

It’s hard to be happy unless you’re thankful, and it’s difficult to be thankful without some context. These kids provide context not by comparison between what we have and what they don’t, but rather by the inspiration we get from seeing how full a life they live with so little. This girl’s face was burned by an explosive a month after September 11. Her eyes have seen so much destruction and know so much pain, yet the light still shines through.

Excerpt
Northen Kabul, Afghanistan, 2001
Excerpt
Balakot, North-West Frontier Province (NWFP), Pakistan, 2005. This girl's village was destroyed by an earthquake a week before I took this photograph
Internally Displaced Persons Camp, NWFP, Pakistan, 2005. After the earthquake, these tidy front yards are a heartbreaking attempt at normalcy and dignity.
The letter above and others throughout the book are parts of handwritten notes that I sent to friends and family from the road while I was taking these pictures.
Intro Iage
Internally Displaced Persons Camp, NWFP, Pakistan, 2005. After the earthquake, these tidy front yards are a heartbreaking attempt at normalcy and dignity.
Intro Iage
Central Market, Kabul, Afghanistan, 2003. Are we entering their world or are they entering ours?
Jamal Mena, Kabul, Afghanistan, 2002. This little boy is also on the cover of the book. When I walked into his home and out his back door, I saw his backyard (following image).
Intro Iage
Jamal Mena, Kabul, Afghanistan, 2002.
Intro Iage
Near Murambi, Rwanda, 2005. Orphaned brothers.
Intro Iage
Near Ruhengeri, Rwanda, 2010. This little girl’s mother makes jewelry for our Hands Up Not Handouts initiative.
Intro Iage
Syrian–Turkish border, 2014. Though nicely dressed and filled with positive energy, these Syrian school girls are refugees. Imagine how jarring it must be to go from comfortable middle-class lives to suddenly losing it all. Everything can change in an instant. Maybe their nice clothes and shoes make it easy to see our own children’s faces reflected in theirs.
So much comes down to letting compassion rule over fear. More than twenty thousand Syrian children have been killed since the conflict began in 2011. Out of a total population of eighteen million, twelve million Syrians are now displaced.
Intro Iage
Muslim School, Weligama, Sri Lanka, 2001. When I photographed this boy at his school, Sri Lanka had been in a continuous state of civil war for eighteen years. Three years later, Weligama was one of the villages hardest hit by the 2004 Indian Ocean tsunami that killed at least thirty-five thousand people in Sri Lanka. I’ve always wondered if this little boy survived. His school was less than one hundred meters from the sea.
Intro Iage
Tibetan Children’s Village, Dharamsala, India, 2004.
Intro Iage
Lo Manthang, Kingdom of Mustang, 2004. This seven-hundred-year-old walled city is a seven days’ walk from the end of the closest road.
Migrant School, Hebei Province, China, 2016. Spiderman to the rescue: in this lifeless hallway of worn concrete, imagination overrides circumstance.
Intro Iage
Rwanda, 2008. Photograph by Tess Sager. Everyone in this picture is in prison, accused of participating in the Rwandan genocide. The tall guy on the left was accused of killing thirty people. The men are in this camp to learn skills like carpentry so that when they are released, they can support themselves and their families and won’t resort to violence.

About the Author

Bobby Sager was a driving force behind the spectacular growth of Gordon Brothers Group, a preeminent global financial services business with offices in North America, Europe and Asia. One of Gordon Brothers’ acquisitions was Polaroid. Bobby was its chairman of the board during its incredible resurgence from 2009 – 2015.

In 2000, Bobby founded the Sager Family Traveling Foundation and Roadshow. Bobby has established his own special brand of hands-on, eyeball-to-eyeball philanthropy. Initiatives include fostering entrepreneurship in Rwanda with microlending banks and a groundbreaking program that teaches western science to Tibetan monks and nuns in India, Nepal and Bhutan. Bobby’s philanthropy served as the inspiration for the NBC 8-part primetime television drama The Philanthropist (2009).

Bobby is the author of Power of the Invisible Sun (Chronicle Book, 2009), a book about the power of hope, thankfulness and his unique approach to making a difference. The Power of the Invisible Sun was featured on NBC’s The Today Show, ABC World News, and selected by UNICEF as one of its recommended publications. In his new book, Invisible Sun (Rizzoli, 2019) Bobby has refined his ideas and added new images from places that were okay a decade ago but now most certainly are not. But the underlying theme remains the same: hope isn’t just nice, it’s a game-changer. Bobby is also the author of Beyond the Robe (powerhouse Books, 2013) which tells the story of his foundation’s partnership with the Dalai Lama to create the Science for Monks program that is the first time in the approximately 1,500-year history of Tibetan Buddhism that Western Science is being taught as a formal part of the monastic curriculum.

Bobby is a photographer whose images have been featured in numerous publications and seen by over 4million people in concerts and events around the world. He has given speeches at venues around the world including the General Assembly Hall of the United Nations and the Sydney Opera House.

For more background check out Bobby’s Ted Talk, “Be Selfish, Go Help Someone” .

THIS IS NOT ANOTHER PRETTY COFFEE TABLE BOOK.
IT JUST LOOKS LIKE ONE.

This book is about the game-changing power of hope, thankfulness, and eyeball-to-eyeball hands-on making a difference. It’s meant to be used as a tool to stimulate your thinking, possibly even your doing. I hope you leave it lying around and use it often.